Dictaphone Group: Why the Sea is Mine?

Why the Sea is Mine © Dictaphone Group
Why the Sea is Mine
© Dictaphone Group

Friday, 13 December 2013, Lecture, 19.00-20.00 @ Zico House

Why the Sea is Mine? is a lecture by Dictaphone Group in which we share some of the findings from our research as well as our artistic work process from three projects that took place in Lebanon: ‘Bit Téléférique’, ‘Bus Cemetery’ and ‘This Sea Is Mine’.

Dictaphone Group creates live art performances based on findings and stories produced through multi-disciplinary research on space and oral history. It is a collaborative project initiated by live artist Tania El Khoury and architect/urbanist Abir Saksouk. Together with performer and producer Petra Serhal, they have been creating site specific performances informed by research in a variety of places such as cable car, a fisherman’s boat, and a discontinued bus. The aim of these projects is to question, as citizens, our relationship to the city, with a focus on public space, and the goal of its redefinition.

Dictaphone Group: This Sea is Mine

This Sea is Mine  © Houssam Mchaimech
This Sea is Mine
© Houssam Mchaimech

Friday, 13 December 2013, Performance, 10.00-14.00 @ Ain el-Mreisse port

This Sea Is Mine is a site-specific live performance that explores the concepts of access to the sea and public space in the city through Beirut’s seafront. The audience is invited to take part in a journey on a fishing boat. Going from the Ain el-Mreisse port to Ramlet el-Baida beach, the project explores land ownership of Beirut’s seafront, the laws that govern it, and the practices of its users. The performance has recently been turned into a sound piece that will be made available with fishermen to give to anyone who wants to embark on a similar trip. It will also be available online for anyone to download.

Writer and Performer: Tania El Khoury

Fisherman / Performer: Adnan Al Oud

Researcher / Booklet Writing: Abir Saksouk

Producer: Petra Serhal

This project was originally funded by AFAC 2012

Meeting point: Ain el-Mreisse port 15min before the show

Tour 1: 10am

Tour 2: 12noon

Limited audience capacity. Advanced reservation required on a first come first served basis at sek@orient-institut.org.


Laban – Live Lactic Culture (Masar Theatre)

© Laban
© Laban

Thursday, 12 December 2013, Improvisational theatre, 19.00 @ Orient Institut Beirut (OIB)

Masar Theatre is a participatory, improvisation-based, socio-political theatre format invented by Laban. It was invented to meet the need of having a theatre-based tool for interventions in communities that are not known enough to intervening artists. In Masar Theatre, the audience share stories about a certain issue. The actors then come up with a short play that depicts the essence of the stories shared. Afterward the audiences build this story along with the actors or advise about directions the story can take or endings they may want to try out.

Laban is an improvisational theatre-based organization started in 2009. It works on spreading improvisational theatre in Lebanon and the region through trainings and performances. These performances include improvised acting, creating, directing, lighting, music, and other performance requirements and are of different formats, some of which are invented by Laban. It also works on utilizing the skills and techniques of improvisational theatre in civil society activism. Through rigorous ongoing training and experience, Laban has become the reference for improvisational theatre, Theatre of the Oppressed (Forum Theatre, Image Theatre), and Playback Theatre in Lebanon. Laban places a lot of weight on partnerships with other organizations in order to create the desired change. In approaching organizations, Laban brings the theatre component and different kinds of theatre-based interventions to projects, whether they are starting up, ongoing, or in planning phase.

Dictaphone Group: Bus Cemetery

Bus Cemetery © Dictaphone Group
Bus Cemetery
© Dictaphone Group

Thursday, 12 December 2013, Performance 10.30-17.30 @ Warehouse

The lack of public transport in Lebanon and its ‘death’ in our city is seen as an extension to the lack of public spaces such as beaches, parks and pavements. This is why our project Bus Cemetery came about.

Bus Cemetery is a sound-based intervention that was performed inside one of the derelict buses in the former train station in Mar Mkhael (Beirut), popularly known as the ‘bus cemetery’. The site is where the dysfunctional buses are dumped, and the workplace for the employees of the Lebanese public transportation authority.

This project will take the audience on an imagined tour inside an abandoned bus. The audience will be ushered into the bus by a female driver, to embark on a short trip in the city.

The Map is the transportation network in Beirut from the year 1923 merged with our imagined bus route that tours in the city passing through existing locations like gardens and cemeteries.

Performer: Petra Serhal

Writer: Tania El Khoury

Sound Design: RamziMadi

This project was originally funded by AFAC 2011


Panel II: Between Public and Private

Friday, 13 December 2013, 15.00-18.30 @ Zico House

Despite its historical contingency, the concept of a public space remains a powerful utopia that is strongly connected to the idea of a political space and to individual citizenship. As empty signifier a dichotomy of public and private continues to be the frame of reference for politicians, urban planners, and city dwellers. Every concrete meaning and manifestation of this dichotomy has an immediate impact on the lived, built, and imagined city, which is necessarily contentious and a dystopia for many of the individuals affected. How do moral norms (whether imposed by society or the state) affect the delineation of public and private space, and how do diverse concepts coexist or clash? How do (changing) gender relations define public and private space and how are they formed by the structural design of urban space? How do alternative public spaces influence cultural production and how do manners of cultural production alter space? What influence does virtual public space have on real space?

  • Nazanin Shahrokni: A Gender-Divided City? An inquiry into the spatial politics of the Islamic Republic of Iran
  • Mathew Gagné: Expanding Queer Spaces in Beirut: Mobile communications technologies and contestations to heteronormative space
  • Nahid Siamdoust: Tehran’s Soundscape and the Public Sphere
  • Mazen Haidar and Akram Rayess: Public Sounds, Private Spaces: Towards a Fairouz Museum in Zoukak el-Blat

Discussant: Robert Saliba (American University of Beirut)

Cinema Vendôme, Mar Mikhael, 2010  © Konstantin Kastrissianakis
Cinema Vendôme, Mar Mikhael, 2010
© Konstantin Kastrissianakis

Roman Stadnicki/ CEDEJ: The Emergence of Urban Activism in Cairo since the 2011 Revolution

Thursday, 12 December 2013, Panel I: Claims and Agency, 10.30-12.45 @ Warehouse

Since the 2011 revolution we are witnessing a powerful growth of urban activism in Egypt, especially in Cairo. This paper will examine conditions for the emergence of this particular form of activism at the political, social and territorial levels. These conditions include the opening of the scope of activism, the diversification and ‘pluralisation’ of civil society, and the urban roots of the revolutionary moment. A typology will be established according to the interests pursued by the stakeholders, that can be divided into three main categories:  general organizations for human rights working towards improving the city’s living conditions; individuals and/or organizations whose actions relate to a long-term struggle for the ‘right to the city’; individuals and/or organizations whose actions aim to protect the living environment and the common good. This paper will show that Egyptian urban activists are the authors of changes that are already visible on the urban scene.

Roman Stadnicki holds a PhD in Geography. He is a Research Fellow and Head of the Urban Studies Department at CEDEJ (Centre d’études et de documentation économiques, juridiques et sociales) in Cairo.

Hiba Bou Akar/ Hampshire College: Beirut’s Geographies of the ‘War Yet to Come’

Thursday, 12 December 2013, Panel I: Claims and Agency, 10.30-12.45 @ Warehouse

This paper discusses how Beirut’s post civil war peripheries, previously conceived as poor and informal, have been transformed through contested planning exercises by religious political organizations into frontiers of violence and growth. The paper focuses on two contested southern peripheries of Beirut, Sahra Choueifat and Doha Aramoun, that provide possibilities for those who cannot afford living in the city, while being simultaneously spaces where the contours of the futures of violent engagements, militarization, and displacements are being drawn and redrawn every day. The paper shows how the spatial practices of religious political organisations have transformed Beirut’s southern peripheries into frontiers of sectarian conflict through these actors’ territorial battles governed by their anticipated roles in local and regional wars that are ‘yet to come’. Reflecting on how sectarianism is constructed, lived and reproduced in contemporary Beirut, the aim is to understand how the everyday spatiality of the sectarian order is produced and negotiated.Within the spatial logics of the ‘war yet to come’, the paper illustrates how the articulation of sectarianism, capitalism, urbanization, geo-political interests, and violence produces and reproduces Beirut’s geographies of the sectarian order.


Hiba Bou Akar is Assistant Professor of Middle Eastern Studies and Urban Planning at Hampshire College. She holds a PhD in City and Regional Planning with an emphasis in Global Metropolitan Studies from the University of California at Berkeley.

Maryam Amiri and Esmaeil Izadi / University of Tehran: Tehran Urban Space Under the Rationale of Sales Price

Thursday, 12 December 2013, Panel I: Claims and Agency, 14.00-15.30 @ Warehouse

We explore the interrelations between law and space, focusing on urban space generated in Tehran under the Urban Density Sales Law. Endorsed by Tehran Municipality in 1990, the law overturned construction density restrictions put in place by ratified urban plans for the city of Tehran, thus making the market mechanism the only determinant in all future developments. The rationale of sales price took over the rationale of planning. The sudden change, apparent everywhere around the city and affecting the lives of its populace in every walk of life was so dramatic that it divided the post-revolution era into ‘before’ and ‘after’ the Density Law. The revolutionary ideals of equality and justice that had previously led to a drive to nationalise land and control the real estate market gave way to a new paradigm of justification of selling off hitherto undeveloped urban space, changing the fabric of built-up areas and delivering huge chunks of landoutside the city zone for hasty urban development.It will be shown how by selling density Tehran Municipality created an ‘abstract space’ (Lefebvre), in which citizens are deprived of their say in how their habitat is developed, while urban planning as a civil rationality is side-tracked, the consequence of which is that the citizenry loses its fundamental ‘Right to the City’.


Maryam Amiri graduated with an MA in urban planning from the University of Tehran. She is a journalist at Shargh newspaper and works as an urban planner at rehabilitation projects in urban vulnerable areas.


Esmaeil Izadi is an MA student in economics at the University of Tehran.


Nada Moumtaz / The Ohio State University: Practices of Commoning: Public utility and religious interest in the waqfs of contemporary Beirut

Thursday, 12 December 2013, Panel I: Claims and Agency, 14.00-15.30 @ Warehouse

One key debate during the reconstruction of Beirut’s city centre after the civil war revolved around the ‘privatization’ of this process and the contradictions emerging from the expropriation of private lands, in the name of public utility, by a private real-estate company, Solidere. While the bulk of the critical commentary echoes common warnings about the consequences of the privatization of public space under neoliberal regimes for citizenship and the democratic process, this formulation leaves unexplored the possibilities of contestations around the notion of the public, particularly as based on religious affiliation. Indeed, among the very few who could escape systematic expropriation was the Directorate General of Islamic Waqfs [DGIW]. In a nation-state where public utility forms the only constitutional limit to the right of property, how was the DGIW able to negotiate such an exception? This talk analyses how, when, and by whom the concept of public utility was marshalled, and the concepts forwarded in counter-arguments for these expropriations, namely ‘the interest of the waqf’. How did public interest and religious interest intersect? What types of spatial possibilities did appeals to religious interest create and foreclose? In this case of urban reconstruction, while religious interest allowed the various religious communities not to be dispossessed, this paper argues that it subjected religious interest to the law of capital.


Nada Moumtaz is Assistant Professor in the department of Near Eastern Languages and Cultures at the Ohio State University, having completed a PhD in Cultural Anthropology at the Graduate Center of the City University of New York, with a dissertation entitled ‘Modernizing Charity: Remaking Islamic Law’.